Ho.Me (dancefilm)

On screen are three domestic scenes next to each other. On the left, a dancer wearing a yellow shirt and black pants, stands barefoot and head bowed in his living room, a large ornate mirror in the background above a couch. In the middle, a standing dancer wearing a blue sleeveless dress, with long black hair cascading down her back on one side, is in profile in her sunny kitchen. She is watching one hand on top of the other hand in front of her. In the third section a dancer in her living room sits in her manual wheelchair, one hand firmly on the wheel rim. She’s looking up and smiling, her long blond hair flowing down the front of a bright emerald green tunic. The wheelchair dancer turns to face the camera and the text Ho.Me appears in large semi-opaque lettering over top of the image. All three are now facing the camera, and all lunge one arm towards the viewer, then to one side, backwards, side, upwards, forward, down, forward. “A Short Dance Film” The panels move to the left, only the panel with the wheeled dancer remaining to take up the full screen, the dancer slowly rotating to face away from the viewer. “All Bodies Dance”